{"id":1443,"date":"2024-11-25T14:20:32","date_gmt":"2024-11-25T20:20:32","guid":{"rendered":"https:\/\/adrian-aroko.net\/?page_id=1443"},"modified":"2025-06-18T22:51:17","modified_gmt":"2025-06-19T04:51:17","slug":"cuando-el-polvo-haya-caido-el-silencio-reinara","status":"publish","type":"page","link":"https:\/\/adrian-aroko.net\/?page_id=1443","title":{"rendered":"Cuando el polvo haya ca\u00eddo, el silencio reinar\u00e1"},"content":{"rendered":"\n

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Cuando el polvo haya ca\u00eddo, el silencio reinar\u00e1<\/strong>, 2024
Instalaci\u00f3n, medidas variables.<\/p>\n\n\n\n

Esta instalaci\u00f3n toma como referencia el polvo para reflejar el proceso continuo de construcci\u00f3n y transformaci\u00f3n de la justicia, as\u00ed como la interdependencia de las acciones colectivas que permiten que esta se forme, se mantenga y se regenere constantemente. El sonido de la obra proviene de grabaciones realizadas en el desierto de Wadi Rum, donde se capturaron las frecuencias bajas de la arena y las rocas, junto con un poema recitado en cinco idiomas: kinyarwanda, \u00e1rabe, mandar\u00edn, ingl\u00e9s y espa\u00f1ol. Esta diversidad ling\u00fc\u00edstica subraya la pluralidad cultural, el contexto geopol\u00edtico en el que se desarrolla la idea de justicia y su ambivalencia. La mezcla de estos sonidos crea un ritual sonoro que acompa\u00f1a una pieza f\u00edsica formada por cinco seres sentados en c\u00edrculo. Hechos con la misma arena del desierto, estos seres se inspiran en la textura de las monta\u00f1as, sus cavidades, la reverberaci\u00f3n del paisaje y el ciclo geol\u00f3gico que permite tanto su litificaci\u00f3n como su desintegraci\u00f3n.<\/p>\n\n\n\n


In collaboration with:
Mariam Al-Hussona, Iraq\/UK
Yvan King Mukunzi (Mvfasta), Rwanda
Hana Alkhatib, Palestine
Jin Xiao Zhou, China\/The Netherlands
Sadiq Al-Harasi, Yemen
Noel Maghathe, Palestine\/USA
Ver\u00f3nica Navas Gonz\u00e1les, Costa Rica<\/p>\n\n\n\n

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When the dust has fallen, silence will rule<\/strong>, 2024
Installation, variable measures.<\/p>\n\n\n\n

This installation uses dust as a reference to reflect the continuous process of construction and transformation of justice, as well as the interdependence of collective actions that allow it to be formed, maintained, and constantly regenerated. The sound of the work comes from recordings made in the Wadi Rum desert, where the low frequencies of the sand and rocks were captured, along with a poem recited in five languages: Kinyarwanda, Arabic, Mandarin, English, and Spanish. This linguistic diversity highlights the cultural plurality, the geopolitical context in which the idea of justice develops, and its ambivalence. The blend of these sounds creates a sonic ritual that accompanies a physical piece formed by five beings seated in a circle. Made from the same sand of the desert, these beings are inspired by the texture of the mountains, their cavities, the reverberation of the landscape, and the geological cycle that allows both their lithification and disintegration.<\/p>\n\n\n\n

Work created during the Remal Lab residency organized by Studio 8, with the support of the Prince Claus Fund, MMAG Foundation and the Drosos Foundation, in collaboration with Nave.
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